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O5193 - Introductory Melodious Etudes for Trombone, by Alan Raph
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The purpose of Introductory Melodious Etudes is to give the trombonist a chance to practice the various techniques of legato playing without taxing his endurance. Each study is eight measures long and offers a complete musical statement. Ferdinand Sieber (1822-1895) was a well-known singing teacher in Dresden and Berlin. His teaching was in the Italian tradition and his vocalises make excellent studies in legato phrasing to prepare the student for the more extensive Bordogni etudes found in Melodious Etudes by Rochut. In legato playing, the changing from one note to another (without stopping the sound) is most effectively done by lightly tonguing each note. By doing so, hte sound remains even throughout and the "lip break" or the "glissando" is avoided. The tongue stops one note and begins the next at the same moment. Once there is any separation between notes, the legato is lost. There are different approaches to playing legato on the trombone, from the full-toned symphonic sound to the more narrow and intense sound onf the jazz player. The trombonist who can vary his sound to fit the different types of music he is called upon to perform, will find this to be to his advantage. In this book certain slide positions are suggested to minimize the distance the slide has to travel between notes, thereby enhancing the legato capabilities. The trombonist should cultivate the "alternate" positions both in tone and intonation and thereby gain in techniques of expression. Phrase markings have been edited in some instances to make the music more trombonistic. (Remember these are vocalises and originally dealt with syllables as well as tones). Certain of these changes may be made at the player's or the teacher's discretion
- Sales Rank: #1843377 in Books
- Brand: Carl Fischer
- Published on: 1995-06-01
- Number of items: 1
- Binding: Paperback
- 20 pages
Most helpful customer reviews
4 of 4 people found the following review helpful.
Shorter exercises, but much like Rochut
By S.Zimm
The cover reads "An excellent book to prepare the student for the "Melodious Etudes" of Rochut, so I purchased this book hoping that it would include exercises that were slightly easier than Rochut which can present younger students with range, key, rhythm and other issues. The book is an introduction to the concepts required in Rochut, but it is NOT EASIER.
This provides 65 examples in just 16 pages, so obviously they're much shorter and the exercises introduce specific problems in legato playing without the taxation of the lengthy Rochut etudes. As a benefit, they are easy to assign to students one or two at a time rather than an entire Rochut etude which might take younger students more than a week to prepare. About half of the exercises are in sharp keys and about 15 or 20 more have 5 or more flats, so your students need to be comfortable in all keys to benefit from this book. Their are many helpful position markings which can help kids realize when best to use 4th position D1 or 5th position Db1. Overall, I think it's useful for a high school student or college student and I'll definitely make use of it in my private studio. It's just different than what it's presented as by the cover.
0 of 0 people found the following review helpful.
Recommended
By Robert I. Coulter
These etudes are nearly all only eight measures long, but simply chock FULL of music. These are completely developed musical ideas, with variety and open for personal interpretation.
I find these useful in my own practice for making certain the connection between the horn in my head and the horn in my hands is solid. Highly recommended for any age/ability.
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