Selasa, 30 Desember 2014

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The Botany of Desire, by Michael Pollan

The book that helped make Michael Pollan, the New York Times bestselling author of Cooked and The Omnivore’s Dilemma, one of the most trusted food experts in America.

Every schoolchild learns about the mutually beneficial dance of honeybees and flowers: the bee collects nectar and pollen to make honey and, in the process, spreads the flowers’ genes far and wide. In The Botany of Desire, Michael Pollan ingeniously demonstrates how people and domesticated plants have formed a similarly reciprocal relationship. He masterfully links four fundamental human desires―sweetness, beauty, intoxication, and control―with the plants that satisfy them: the apple, the tulip, marijuana, and the potato. In telling the stories of four familiar species, Pollan illustrates how the plants have evolved to satisfy humankind’s most basic yearnings. And just as we’ve benefited from these plants, we have also done well by them. So who is really domesticating whom?

Praise for the narrator: "Scott Brick uses his skill with expression…to produce an audible intoxication." ―AudioFile

  • Sales Rank: #3278 in Audible
  • Published on: 2006-05-23
  • Format: Unabridged
  • Original language: English
  • Running time: 534 minutes

Amazon.com Review
Working in his garden one day, Michael Pollan hit pay dirt in the form of an idea: do plants, he wondered, use humans as much as we use them? While the question is not entirely original, the way Pollan examines this complex coevolution by looking at the natural world from the perspective of plants is unique. The result is a fascinating and engaging look at the true nature of domestication.

In making his point, Pollan focuses on the relationship between humans and four specific plants: apples, tulips, marijuana, and potatoes. He uses the history of John Chapman (Johnny Appleseed) to illustrate how both the apple's sweetness and its role in the production of alcoholic cider made it appealing to settlers moving west, thus greatly expanding the plant's range. He also explains how human manipulation of the plant has weakened it, so that "modern apples require more pesticide than any other food crop." The tulipomania of 17th-century Holland is a backdrop for his examination of the role the tulip's beauty played in wildly influencing human behavior to both the benefit and detriment of the plant (the markings that made the tulip so attractive to the Dutch were actually caused by a virus). His excellent discussion of the potato combines a history of the plant with a prime example of how biotechnology is changing our relationship to nature. As part of his research, Pollan visited the Monsanto company headquarters and planted some of their NewLeaf brand potatoes in his garden--seeds that had been genetically engineered to produce their own insecticide. Though they worked as advertised, he made some startling discoveries, primarily that the NewLeaf plants themselves are registered as a pesticide by the EPA and that federal law prohibits anyone from reaping more than one crop per seed packet. And in a interesting aside, he explains how a global desire for consistently perfect French fries contributes to both damaging monoculture and the genetic engineering necessary to support it.

Pollan has read widely on the subject and elegantly combines literary, historical, philosophical, and scientific references with engaging anecdotes, giving readers much to ponder while weeding their gardens. --Shawn Carkonen

From Publishers Weekly
Erudite, engaging and highly original, journalist Pollan's fascinating account of four everyday plants and their coevolution with human society challenges traditional views about humans and nature. Using the histories of apples, tulips, potatoes and cannabis to illustrate the complex, reciprocal relationship between humans and the natural world, he shows how these species have successfully exploited human desires to flourish. "It makes just as much sense to think of agriculture as something the grasses did to people as a way to conquer the trees," Pollan writes as he seamlessly weaves little-known facts, historical events and even a few amusing personal anecdotes to tell each species' story. For instance, he describes how the apple's sweetness and the appeal of hard cider enticed settlers to plant orchards throughout the American colonies, vastly expanding the plant's range. He evokes the tulip craze of 17th-century Amsterdam, where the flower's beauty led to a frenzy of speculative trading, and explores the intoxicating appeal of marijuana by talking to scientists, perusing literature and even visiting a modern marijuana garden in Amsterdam. Finally, he considers how the potato plant demonstrates man's age-old desire to control nature, leading to modern agribusiness's experiments with biotechnology. Pollan's clear, elegant style enlivens even his most scientific material, and his wide-ranging references and charming manner do much to support his basic contention that man and nature are and will always be "in this boat together."

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Plants are important to us for many reasons. Pollan, an editor and contributor to Harper's and the New York Times Magazine and author of Second Nature: A Gardener's Education, muses on our complex relationships with them, using the examples of the apple, the tulip, the marijuana plant, and the potato. He weaves disparate threads from personal, scientific, literary, historical, and philosophical sources into an intriguing and somehow coherent narrative. Thus, he portrays Johnny Appleseed as an important force in adapting apple trees to a foreign climate but also a Dionysian figure purveying alcohol to settlers; tulips as ideals of beauty that brought about disaster to a Turkish sultan and Dutch investors; marijuana as a much desired drug related to a natural brain chemical that helps us forget as well as a bonanza for scientific cultivators; and the potato, a crop once vilified as un-Christian, as the cause of the Irish famine and finally an example of the dangers of modern chemical-intense, genetically modified agriculture. These essays will appeal to those with a wide range of interests. Recommended for all types of libraries. [For more on the tulip, see Anna Pavord's The Tulip (LJ 3/1/99) and Mike Dash's Tuplipomania: The Story of the World's Most Coveted Flower & the Extraordinary Passions It Aroused (LJ 3/1/00). Ed.] Marit S. Taylor, Auraria Lib., Denve.
- Marit S. Taylor, Auraria Lib., Denver
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

209 of 222 people found the following review helpful.
Some of the Most interesting Botany You'll Ever Read.
By Thomas Leo Ogren
Two different people sent me copies last week of Michael Pollan's book, The Botany of Desire. I'm a writer (Allergy-Free Gardening, from Ten Speed Press) myself and a lifetime horticulturist and I guess they figured I'd appreciate this book. They were right too. I found this book extremely hard to put down. Pollan is a writer first and a botanist second but he is remarkably observant about horticultural matters. He is also unusually talented at explaining complex ideas and he does so in a way that is fresh, fun, often funny, and suprisingly profound. Pollan's section on Johnny Appleseed alone is worth the price of the book. Here Johnny is a multi-dimensional character, one not just eccentric, but a shrewd fellow with great vision and considerable human frailty. The Botany of Desire is chiefly the history of the tulip, apples in America, cannabis, and the potato. This may not sound like the recipe for a really satisfying read, but in Michael Pollan's more than able hands, it certainly is. If you enjoy gardening, history, or just plain old very decent writing, I expect you too would appreciate this excellent book.

220 of 239 people found the following review helpful.
Plants and Humans Influence Each Other for Mutual Benefit!
By Donald Mitchell
"What existential difference is there between the human being's role in this (or any) garden and the bumblebees?" "Did I choose to plant these potatoes, or did the potato make me do it? With profound questions like these, Michael Pollan pollinates your mind with a new world view of our relationships with plants, one in which humans are not at the center. The book focuses on four primary examples of how plants provide benefits to humans that lead humans to benefit the plants (apples for sweetness, tulips for beauty, marijuana for intoxication, and the potato for control over nature's food supply). You will learn many new facts in the process that will fascinate you. The book's main value is that you will learn that we need to be more thoughtful in how we assist in the evolution of plant species.
The book builds on Darwin's original observations about how artificial evolution occurs (evolution directed by human efforts). So-called domesticated species thrive while the wild ones we admire often do not. Compare dogs to wolves as an example. Mr. Pollan challenges the mental separation we make between wild and domesticated species successfully in the book.
The apple section was my favorite. You will learn that John Chapman (Johnny Appleseed) was a rather odd fellow who was actually in the business of raising and selling apple trees. He planted a few seeds at the homes where he stayed overnight on his travels. Mr. Chapman had apple tree nurseries all over Ohio and Indiana, which he started 2-3 years before he expected an influx of settlers. Homesteading laws required these settlers to plant 50 apple or pears trees in order to take title to the land. And these apples were for making hard apple cider, not eating apples. He was the "American Dionysus" in Mr. Pollan's view. Apple trees need to be grafted to make good eating apples. Chapman's trees produced many genetic variations, which are good for the species. Apple trees became more narrow in their genes after other sources for alcohol and sweetness became available (from cane sugar). Now, the ancient genes of apple trees are being kept in living form from Kazakhstan, before they are lost due to economic development.
Tulips were the source of the famous Tulipmania in Holland. Rare colors occurred due to viruses. Those became extremely valuable during the tulip boom market in the 17th century. Now, growers try to keep the viruses out and we have much more dull, consistent species. We have probably lost much beauty in favor of order in the process.
The intoxicants in marijuana are probably caused by toxins that the plants make to kill off insects. Because the plant is a weed, it grows very rapidly. There is a hilarious story about the author's experiences in growing two plants that you will love. As the antidrug war progressed, marijuana became a hothouse plant and was bred and developed to grow much more rapidly under humid, high-light conditions indoors. You will read about modern commercial farms in Holland.
The potato story is the most complex. The Irish potato famine related to monoculture. The Incas had always planted a variety of potatoes to avoid the risk of disease. Now, biotechnology has added an insecticide to the leaves of potato plants, taking monoculture one step further. Interestingly, the insects are already becoming resistant to the insecticide. Are we building a new risk to famine with this approach? How will genetically altered potatoes affect humans? Is having consistent french fries at fast food places enough of an incentive to take this risk? These are the kinds of questions raised by this chapter.
Mr. Pollan has described a "dance of human and plant desire that left neither the plants nor the people . . . unchanged."
His key point is that we should be sure to include strong biodiversity in our approaches. Nature can create more variation faster than fledgling biotechnology industry can. Time has proven that biodiversity has many advantages for humans while monoculture has usually proven to have at least one major drawback. In reality, we can probably have both.
If you are like me, you will find Mr. Pollan's personal experiences with the plants and his investigations of the historical figures to be fascinating. He is a good story teller, and a fine writer.
After you read this book, take a walk through a park or a garden and think about Mr. Pollan's argument. Then consider how these principles can be applied to help ideas change, improve, and grow in more valuable ways.
Look at life from many different perspectives . . . and live more intelligently and beneficially!

84 of 92 people found the following review helpful.
Fabulous....
By Dianne Foster
Read this book and you may never eat a conventionally grown potato again. I know I won't. If I hadn't been a dedicated organic gardener for over 40 years, I would become one after reading THE BOTANY OF DESIRE. I find it incredibly puzzling that more people haven't bitten the organic bullet. I truly believe a diet of conventionally grown food can shorten your life and bring on all sorts of aches, pains, and illnesses you might not otherwise suffer. Organic gardening works and the stuff you grow is better for you. If you can't grow it, for goodness sakes, hustle on down to your closest Whole Foods store and buy it. Organic food may be more expensive than conventional foods, but in the long run you will save on medical bills.
Michael Pollen's book is simply the best set of gardening essays I've read in a long while, maybe ever. And that's saying a lot because I am a big fan of gardening books (I've reviewed over 100 of them for Amazon). I haven't read something so enjoyable since Henry Mitchell's columns and books. It's not often a book of garden essays can make you laugh (misadventures with Mary Jane), make you cry (one million Irish dead of starvation), make you angry (one million Irish dead), and make you smile (is there any tulip so lovely as `The Queen of the Night?'
Pollan covers four plants, Apples, Tulips, Marijuana, and Potatoes. His first chapter on apples, disabused me of all my notions about Johnny Appleseed. I had read Anna Pavord's book THE TULIP, so the tulip section of Pollan's book was the least interesting for me, although he added some interesting anecdotal information.
The best section of this book as far as I am concerned is the chapter on Marijuana. My husband is a substance abuse counselor and I recommended the chapter to him. It could have been titled, "Everything you ever wanted to know about Marijuana that they didn't tell you in medical school or criminology class." If you haven't yet decided the U.S. government officials who devised the war on drugs are nuts, read this chapter and you will become convinced. Drug war indeed!!! Didn't we learn anything with Al Capone??
The section on the potato plant is downright scary. Pollan's adventures with Monsanto are illuminating. Once again, the feds come out as the dumb bunnies. Or, maybe it's the elected officials and their appointees who won't let the EPA and USDA do it's job. The material on evolution in this section nicely complements Steve Jones' DARWIN'S GHOST. Monsanto is in the process of obtaining patents on natural substances and evolutionary processes that will affect the whole food chain-and the CEO says "trust me". Yeah, right.
Do yourself a favor, during the cold weather ahead. Curl up in an easy chair with a cup of tea and read this book. Whether you garden or not, you will love it.

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Selasa, 23 Desember 2014

[J225.Ebook] Ebook Free Stevie Wonder AnthologyFrom Faber Music

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Stevie Wonder AnthologyFrom Faber Music

  • Sales Rank: #15054750 in Books
  • Binding: Paperback

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Minggu, 21 Desember 2014

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1 Peter (The NIV Application Commentary), by Scot McKnight

Most Bible commentaries take us on a one-way trip from the twentieth century to the first century. But they leave us there, assuming that we can somehow make the return journey on our own. In other words, they focus on the original meaning of the passage but don't discuss its contemporary application. The information they offer is valuable -- but the job is only half done! The NIV Application Commentary Series helps us with both halves of the interpretive task. This new and unique series shows readers how to bring an ancient message into modern context. It explains not only what the Bible means but also how it can speak powerfully today.

  • Sales Rank: #297301 in Books
  • Brand: HarperCollins Christian Pub.
  • Published on: 1996-04-01
  • Released on: 1996-03-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.49" h x .98" w x 6.38" l, .80 pounds
  • Binding: Hardcover
  • 304 pages

From the Back Cover
Most Bible commentaries take us on a one-way trip from the twentieth century to the first century. But they leave us there, assuming that we can somehow make the return journey on our own. In other words, they focus on the original meaning of the passage but don't discuss its contemporary application. The information they offer is valuable -- but the job is only half done! The NIV Application Commentary Series helps us with both halves of the interpretive task. This new and unique series shows readers how to bring an ancient message into modern context. It explains not only what the Bible means but also how it can speak powerfully today.

About the Author

Scot McKnight (PhD, Nottingham) is the Julius R. Mantey Professor of New Testament at Northern Seminary in Lombard, Illinois. He is the author of more than fifty books, including the award-winning�The Jesus Creed�as well as�The King Jesus Gospel,�A Fellowship of Differents, One.Life, The Blue Parakeet,�and�Kingdom Conspiracy.

Most helpful customer reviews

18 of 20 people found the following review helpful.
Insightful Reading of 1 Peter
By Stephen W. Hiemstra ﻦ
The NIV Application Commentary has been my default commentary over the past four years because the series takes the narrative of scripture seriously. Once I am acquainted with orthodox interpretation, I can judge a book from other dimensions. I have taught from the series the Books of Romans, Luke, and Genesis; I read Revelations, John, Esther, James, Hebrews,Thessalonians, 1 & 2 Timothy, and Titus. This background in the series led me to consider Scott McKnight's commentary on 1 Peter.

McKnight sets out the goal of "to study 1 Peter in such a way as to highlight Peter's proposals for Christian life in a modern society" (22). In his overview, he breaks Peter's message into three points: salvation, the church, and Christian life. Peter describes salvation through Christ's suffering (1 Peter 2:24). The church is pictured as the family of God. In the Christian life, Peter exhorts his readers to practice hope, holiness, fear before God, love, and growth (32). What caught my eye was McKnight's observation that 1 Peter is the most popular NT book among Christians living with social marginalization and suffering outside the Western context (35).

Suffering. It is my own observation that the suffering in my own life--a wife with cancer, a child on dialysis, and a younger sister who died suddenly--has enabled me to witness more effectively to those around me. In like manner, we are drawn to the cross of Christ. "He himself bore our sins in his body on the tree, so that we might die to sins and live for righteousness; by his wounds you have been healed" (1 Peter 2:24). McKnight's rendering of 1 Peter and his focus on the role of suffering convinced me that I need to spend more time with this book.

McKnight spends a fair amount of time trying to unpack the social position of Peter's audience. He views 1 Peter 2:11-12 as a pivotal passage. Are his readers "aliens and strangers"? Is the pursuit of holiness especially important because of their low social standing? If they were literally aliens and strangers--the illegal immigrants of their day--how do we, who are not, read this book? Interesting questions.

Let me say a word about my fellow commentator's interest in Cloud and Townsend's book--Boundaries. McKnight refers to Cloud and Townsend in the bridging section on 1 Peter 3:1-7, not the exegetical section, in a discussion of marriage. This application seemed reasonable and appropriate on the touchy question of obedience.

Among the NIV commentaries in this series, the McKnight commentary on 1 Peter is a gem. He struggles with interesting questions. His reading of 1 Peter is both balanced and insightful. After reading about Peter's response to suffering, McKnight convinced me to look also at Paul's treatment of suffering in 2 Corinthians.

Dr. Stephen W. Hiemstra
Centreville, Virginia

0 of 0 people found the following review helpful.
Good Second Source
By GMM
For a non-critical commentary, I think that this is one of the better ones. McKnight's style may not immediately engage every reader, but most of the really helpful material and information expected in a commentary of this type is there. I would have liked to see a little more precise outline and breakdown of the material, but I would certainly recommend it as a supplementary source. GMM

0 of 0 people found the following review helpful.
very well researched love tradional meaning
By Amazon Customer
Peter reminds me so much of myself and walk with the Lord I don't consider Bible study speed reading a chapter or 2 a day this commentary is trul bible study. You want learn God has anointed some teacher as he did Scot McKnight, very well wrote, very well researched love tradional meaning, briging contexts and contempary meaning highly recommend!

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Imagine um mundo sustent�vel, movido por energias limpas e renov�veis, menos agressivas ao meio ambiente. Agora imagine a humanidade sob o impacto dessas mudan�as. � essa a proposta de "Solarpunk - Hist�rias ecol�gicas e fant�sticas em um mundo sustent�vel", que ap�s "Vaporpunk" e "Dieselpunk", fecha a trilogia de colet�neas de fic��o especulativa organizadas por Gerson Lodi-Ribeiro.Mais otimista, vislumbrando um futuro esperan�oso e desenvolvido, as noveletas de Solarpunk exploram desde o aproveitamento dos rel�mpagos atmosf�ricos � produ��o de biocombust�veis via nanotecnologia. Grandes veleiros espaciais impulsionados pela press�o da radia��o solar, o advento de humanos fotossint�ticos, e como n�o h� sociedade perfeita, at� mesmo o terrorismo contra empreendimentos e governos verdes.Nove autores de Brasil e Portugal imaginam esse futuro surpreendente: Carlos Orsi, Telmo Mar�al, Romeu Martins, Antonio Luiz M. C. Costa, Gabriel Cantareira, Daniel I. Dutra, Andr� S. Silva, Roberta Spindler e o organizador Gerson Lodi-Ribeiro.O sol de um futuro sustent�vel est� nascendo, conhe�a o mundo verde e brilhante de Solarpunk.

  • Sales Rank: #1445033 in eBooks
  • Published on: 2012-07-13
  • Released on: 2012-07-13
  • Format: Kindle eBook

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Sabtu, 20 Desember 2014

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  • Sales Rank: #6320027 in Books
  • Published on: 1999
  • Number of items: 1
  • Binding: Paperback

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Rabu, 17 Desember 2014

[O215.Ebook] Ebook A Comprehensive Russian Grammar (Blackwell Reference Grammars) 3th (third) edition Text Only, by Terence Wade

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  • Sales Rank: #3972445 in Books
  • Published on: 2010
  • Binding: Paperback

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Selasa, 16 Desember 2014

[H158.Ebook] PDF Ebook NVQ/SVQ Level 3 Business & Administration Candidate Handbook (NVQ Administration), by Bernadette Watkins

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  • Sales Rank: #4222003 in Books
  • Published on: 2011
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.87" h x .0" w x 8.62" l, .0 pounds
  • Binding: Paperback

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Minggu, 14 Desember 2014

[T805.Ebook] Download Never Kiss A Stranger, by Madeleine Ker

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Laura Golightly expected her trip to Europe would be pretty dull. After all, helping out an elderly writer on a publicity tour isn't exactly a thrill a minute. On the other hand, trying to stop a cat burglar may be a bit too exciting. Especially if it's her heart he's trying to steal!

  • Sales Rank: #1626881 in Books
  • Published on: 2006-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.48" h x .47" w x 5.02" l,
  • Binding: Mass Market Paperback

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6 of 8 people found the following review helpful.
Unbelievable Plot!
By Manga Maniac Cafe
Laura Golightly is traveling around Europe, the assistant to a romance writer. Finding her employer, Mamie Pendergast, a demanding and self-centered woman, Laura is forced to smooth things over with people they meet, time and time again. When Mamie's hotel reservations for her favorite suite are lost, they have to settle for another room. When a cat burglar creeps into their suite, Laura is determined to save Mamie's manuscript. When he steals a kiss instead, Laura finds herself falling in love, and also into danger!

This was silliest book I've read in a while. The plot wasn't remotely plausible, from the president of an airplane design company stooping to cat burglary, to the muddled plot twist involving stolen blueprints and terrorist organizations. I found the idea of the army allowing a civilian to lead the charge to save the kidnapped heroine rather ridiculous, though Caesar did look rather fetching clutching a semi-automatic rifle...

The art saved this book. With crisp, graceful lines, it held my attention much better than the lame plot. The panel layouts complimented the story, and Mayu Kasumi used large images every effectively. If for no other reason, flip through this book to enjoy the gorgeous artwork!

1 of 2 people found the following review helpful.
Silly and not really worth your time
By Ryner
Working as a live-in personal assistant for an author, Laura is awakened one night by the sound of someone breaking into their hotel suite. When she yells for help, the masked burglar kisses her to keep her quiet, then leaves. Who is he and what was he looking for?

Laura is a pretty but empty-headed, na�ve and self-deprecating - the most annoying kind of heroine(?). I picked this up because Madeleine Ker is the pseudonym of one of my favorite authors, Marius Gabriel. It was my first foray into graphic novels in which the book is read back to front, which made for an interesting experience but took some getting used to. Disappointingly, it confirmed my suspicion that pulp romance written by a talented author is still empty, unfulfilling, pulp romance, even when "printed in flirty pink ink!"

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Selasa, 09 Desember 2014

[P894.Ebook] Download The Historian As Detective: Essays on EvidenceFrom Harpercollins College Div

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The Historian As Detective: Essays on EvidenceFrom Harpercollins College Div

Please see D. Thurlow's review below. It is complete.

  • Sales Rank: #73422 in Books
  • Published on: 1978-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.50" w x 1.50" l,
  • Binding: Paperback
  • 567 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
Instruction for the Would-be Historian...
By HMS Warspite
"The Historian as Detective: Essays on Evidence" is a superb collection of cautionary tales on the difficulty of being an effective historian. Thanks to Robin Winks' superb editing, the reader, whether of popular history or of the more rigorous academic variety, is presented with summaries of investigations into various historical matters and the difficulties of determining which historical raw materials may be real, which may be false, what cannot be known, and not least, what may be probative in any given line of historical inquiry.

The essays themselves cover a huge amount of ground, from the days of Rome to the John F. Kennedy assassination, and many interesting topics in-between. Some examine the use of documents, others the use of testimony by eyewitnesses, and still others the providence of physical items of history and their interpretation. In each case, the would-be historian may learn something about the limits of the craft. Cases concerning false documents that fooled even experienced historians are especially illuminating.

"The Historian as Detective" is very highly recommended to both the popular reader of history and the would-be historian. This volume is out of print but well-worth while to track down from used book dealers.

0 of 13 people found the following review helpful.
Great timing
By Kindle Customer
The book arrived within days of my order and I ordered it with regular shipping.

1 of 2 people found the following review helpful.
This Book Shows The Historian's Technique
By Amazon Customer
This book shows the historian's technique of gathering and verifying of evidence about the past. Parts of the book include the following: Vigilante Justice?, Habeas Corpus, The Adversary Method, The Case Method, Allies, and Verdicts.

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Kamis, 04 Desember 2014

[N509.Ebook] PDF Download First Impressions: A Novel, by Charlie Lovett

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First Impressions: A Novel, by Charlie Lovett

A thrilling literary mystery costarring Jane Austen from the New York Times–bestselling author of The Bookman’s Tale

Charlie Lovett’s new book,�The Lost Book of the Grail, will be available from Viking on February 28, 2017

Book lover and Austen enthusiast Sophie Collingwood has recently taken a job at an antiquarian bookshop in London when two different customers�request a copy of the same obscure book: the second edition of�A�Little Book of Allegories�by Richard Mansfield. Their queries draw Sophie�into a mystery that will cast doubt on the true authorship of Pride and Prejudice—and�ultimately threaten�Sophie’s life.

In a dual narrative that alternates between Sophie’s quest to uncover the truth—while choosing between two suitors—and a young Jane Austen’s touching friendship with�the aging cleric Richard Mansfield, Lovett weaves a romantic, suspenseful, and utterly compelling novel about love in all its forms and the joys of a life lived in books.

  • Sales Rank: #103166 in Books
  • Published on: 2015-09-29
  • Released on: 2015-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.05" h x .77" w x 5.34" l, 1.00 pounds
  • Binding: Paperback
  • 336 pages

Review
“A delightful novel.”
—People

“[A] thrilling romance.”
—Woman’s Day, “WD Picks”

“A charming story.”
—Christian Science Monitor

“Part mystery, part love story,�First Impressions�is a 100 percent thumping good read and a loving homage to one of literature’s most beloved authors. Lovett takes readers on a rollicking adventure that cleverly weaves in the best elements of Austen’s novels, while also giving life to Austen’s own personal history in a satisfying and captivating way. It’s a giddy novel that celebrates books and the people who love them as much as it entertains, making it the perfect read for bookworms and Janeites alike.”
—Bookpage

“A completely captivating and charming book….the author’s passion for Jane Austen and his knowledge of printing methods and practices of the 1700s truly make this book a standout. The reader gets a nice adventure story, a little bit of romance and mystery, and a real feel for book collecting and for the author’s love of Jane Austen. If it’s a love you share, you may well find this book irresistible.”
—Mystery Scene

“This novel is both beautiful and exciting….A must-read, especially for those who love books, writing and reading!”
—Historical Novels Review

“Fans of Austen will devour the backstory. . . . Lovers of intrigue and romance will relish the presentday journey. . . . Bibliophiles will savor the interconnectedness of both stories. . . . First Impressions is an Austen appetizer—leaving the reader eager to explore or revisit works that have touched us for more than two centuries.”
—The Mountain Times

“A book about books . . . an intriguing story [about] an author whose stories have not lost their romantic appeal in two hundred years.”
—Suspense Magazine

“[An] ingenious novel….Ardent fans of Jane Austen and lovers of gripping stories will enjoy following Sophie’s pursuit of the truth.”
—Publishers Weekly

“[An] appealing combination of mystery, romance, and bibliophilism….An absolute must for Austen fans, a pleasure for others.”
—Booklist

“A delightful read that Janeites will love….[Lovett] adds bookish intrigue to the life of another luminary of English literature.”
—Library Journal

“Lovett’s tale is a lovely and entertaining one…that lovers of Austen and antiquarian books will adore.”
—Shelf Awareness

“Lovett’s love of books and libraries once again energizes his storytelling.”
—Kirkus Reviews

“Charlie Lovett’s delightful�First Impressions�weaves together two stories: one about a modern young woman who loves books and the other about the friendship between nineteenth-century novelist Jane Austen and a clergyman. The result is an inventive tale with elements of romance and suspense, wrapped around a bookish mystery that will please lovers of old libraries and Austen fans.”
—Deborah Harkness, #1 New York Times bestselling author of The Book of Life

“Jane Austen, true love, great books, and a literary mystery of epic proportions:�Charlie Lovett packs all my favorite things into a thoroughly engaging story that keeps us enthralled to the very last page. Austen herself would adore the counter-point heroine, the bright and delightful Sophie Collingwood. A pure gem.”
—Katherine Reay, author of Dear Mr. Knightley

“Brimming with charm and intrigue, Charlie Lovett’s new novel will leave a lasting impression on lovers of books, literary enigmas, and the eternally fascinating Jane Austen. First Impressions spans centuries, but time ceases to exist as Lovett’s riveting story begins to unfold.”
—Erika Robuck, author of Hemingway’s Girl

“It is a truth universally acknowledged, that a reader in want of a marvelous mystery and lovely literary fiction must be in want of First Impressions. With a deep understanding of Jane Austen and a deft hand at mystery, Lovett strikes the perfect chord between literature and a first rate thriller.”
—Craig Johnson, New York Times bestselling author of the Walt Longmire Mysteries, the basis of A&E’s hit series Longmire

About the Author
Charlie Lovett is a former antiquarian bookseller, an avid book collector, and a member of the Grolier Club, the oldest and largest club for bibliophiles in North America. He and his wife split their time between Winston-Salem, North Carolina, and Kingham, Oxfordshire, in England.

Excerpt. � Reprinted by permission. All rights reserved.
***This excerpt is from an advance uncorrected proof***

Copyright � 2014 Charlie Lovett







Steventon, Hampshire, 1796











Fond as she was of solitary walks, Jane had been wandering rather longer than she had intended, her mind occupied not so much with the story she had lately been reading as with one she hoped soon to be writing. She was shaken from this reverie by the sight of an unfamiliar figure, sitting on a stile, hunched over a book. Her first impression was that he was the picture of gloom—dressed in shabby clerical garb, a dark look on his crinkled face, doubtless a volume of dusty sermons clutched in his ancient hand. Even the weather seemed to agree with this assessment, for while the sun shone all around him, he sat in the shadow of the single cloud that hung in the Hampshire sky. Realizing how far she had come from home, Jane thought it best to retrace her steps without interrupting the cleric’s thoughts as he had unknowingly interrupted hers. During the long walk home, across fields shimmering with the haze of summer heat, she amused herself by sketching out a character of this old man, storing him away, like so many others, for possible inclusion in some novel yet to be conceived. He was, she decided, a natural history enthusiast, but his passion lay not with anything beautiful like butterflies or wildflowers. No, his particular expertise was in the way of garden slugs, of which he could identify twenty-six varieties.

By week’s end, Jane had filled in the pathetic details of his life. Disappointed in love, he had turned to natural history, where the objects of his pursuit were less likely to spurn his advances. As his passion for his study grew, and as he shared it more enthusiastically with those around him, his invitations to dine gradually declined until he was left alone on most evenings with his books and his slugs. He was a melancholy figure, which made it all the more shocking to find him, on Sunday morning, not only seated in the Austen family pew, but smiling broadly and greeting her by name.

Jane had led the family procession from the rectory to the small stone church of St. Nicholas, where her father was rector. The church stood on the far outskirts of the village, flanked by flat, green meadows. After passing through the rectory gates into the narrow lane that led to the church, the Austens had fallen in with several villagers. When she had concluded her pleasantries with these acquaintances, Jane had not a moment to respond to the stranger’s greeting before the service began and she found herself separated from him by her mother and her sister Cassandra; of her six brothers, none were currently in residence in Steventon.

The man’s robust baritone voice, evident in his hymn singing, exuded a spirit that was anything but melancholy. Jane endured a sharp elbow from Cassandra for not attending to the gospel reading; instead, she was trying to watch the man out of the corner of her eye. She failed to follow the thread of her father’s sermon, lost as she was in a reevaluation of the stranger’s history. By the time the service ended she was thoroughly intrigued and determined to secure a proper introduction to satisfy her curiosity about the true nature of his character.

“Go along home and I shall wait for Father,” she told her mother and Cassandra as they stood beside the ancient yew tree that clung to the west end of the church. Jane felt certain that a visiting clergyman with leave to occupy the Austen pew must be known to her father, and she expected Mr. Austen to make the necessary introduction, so it came as a surprise when she felt a tap on her shoulder and turned to face the stranger, who addressed her in a cheerful voice.

“Miss Jane Austen, if I am not mistaken.”

“You are at an advantage, sir,” said Jane. “You know my name, but I do not know yours.”

“Mansfield. Reverend Richard Mansfield at your service,” he said with a slight bow. “But we have nearly met already.”

“What can you mean, sir?”

“Only that two days ago you emerged from the waving grain of Lord Wintringham’s field and stopped in your tracks when you spotted me reading on a stile just outside Busbury Park. At the time I conceived the idea that you were a rather dull and impetuous young lady, but I already begin to suspect that I may have been mistaken.” His eyes twinkled in the morning sun as he said this, and his smile transformed from one meant for the general public to one that seemed to be reserved solely for Jane.

“I hope you will come to believe so, Mr. Mansfield. I have been accused of having many faults by those who know me well, but neither dullness nor impetuousness has been among them.”

“And of what faults do they accuse you?”

“My worst, or so I am told, are a too highly developed interest in fictionalizing my acquaintances and a tendency to form opinions of others hastily.”

“Opinions such as the one you formed of me when you saw me alone with my book?”

“You do me wrong, sir. You assume first that I saw you, second that I gave your appearance sufficient thought to form an opinion, and third that my opinion was ill considered.”

“In the first case,” said Mr. Mansfield, “I observed you myself, for though your mind may have been elsewhere, your eyes were certainly on me; in the second case, your father tells me, somewhat to my surprise, that you aspire to write novels, so I can only assume that anyone you meet may become a victim of your imagination; and in the third case it seems impossible that you would have guessed the extent to which our interests overlap.”

“I confess that shared interests did not occur to me. I imagined you a student of natural history, reading . . . but you will laugh when I tell you.”

“I enjoy a good laugh,” said Mr. Mansfield.

“I imagined you reading a book on garden slugs.”

Mr. Mansfield did laugh, long and heartily, before confessing the true nature of his reading. “It may shock you, Miss Austen, but in fact I was reading a novel.”

“A novel! You do shock me, sir. Do you not find novels full of nonsense? I myself find them the stupidest things in creation.”

“Then you read novels?”

“Novels! I’m surprised at you, Mr. Mansfield, suggesting that a young lady such as myself, the daughter of a clergyman, no less, could occupy her time with such horrid things as novels.”

“You tease me, Miss Austen.”

“Indeed I do not, Mr. Mansfield, for though you know that I aspire to write novels, you cannot expect that I would take my interest in the form so far as to actually read them.” Because Mr. Mansfield was old enough to be her grandfather, Jane took the bold step of adding a wink to this statement and turned toward the rectory. The congregation had dispersed and only the sounds of birdsong and the breeze in the yew tree disturbed the silence of the morning. Jane was pleased when Mr. Mansfield fell into step beside her as she made her way up the tree-lined lane. With the summer sun now high in the sky, she was grateful for the cooling shade.

“Surely, Mr. Mansfield, your shortest route to Busbury Park lies in the opposite direction,” said Jane.

“Indeed it does, but you are assuming again, Miss Austen. First that I am staying at the park, and second that I am taking my luncheon there.”

“And my novelist’s imagination has deceived me again?”

“Not entirely,” said Mr. Mansfield. “For I am a guest at Busbury Park, but though he can offer me only cold mutton, your father has asked me to take my luncheon at the rectory.”

“I confess, Mr. Mansfield, I am sorry to hear it.”

“And why is that? Are you so embarrassed to be seen in the company of a novel reader?”

“On the contrary, it is because you are a novel reader that I had rather hoped to keep you to myself. Once you enter the doors of the rectory, you will become a friend to my mother and my sister Cassandra, and you will no doubt retire after lunch to the study with my father and abandon the rest of us.”

“Surely, Miss Austen,” said Mr. Mansfield, “I can be both a visitor at the rectory and a special friend of the rector’s younger daughter.”

“I believe, Mr. Mansfield,” said Jane as she took the clergyman’s arm, “that I should like that very much indeed.”

Most helpful customer reviews

32 of 33 people found the following review helpful.
For bibliophiles and Austenites
By joyful
I've read my share of Jane Austen published fanfiction, spinoffs, and inspirations. While not as startling different as Pride and Prejudice and Zombies, First Impressions has unique elements to commend it. Lovett alternates between two storylines: that of Jane Austen and her much older gentleman friend, Richard Mansfield (right away you know he will be very significant, just by his surname alone) and Sophie in the present, grieving the death of her beloved Uncle Bertram. First Impressions is elevated above the very crowded Austen genre in the sophisticated, nuanced writing. It is clear that Lovett knows everything Austen front and back. Not only that, every page is rendered not only with a homage to Austen but to book lovers in general. If you are a bookworm, you will delight in this novel.

Lovett skillfully renders the Austen chapters with the same style and intelligent dialogue found in her novels. On the other hand, the modern chapters have a completely different flavor yet its storyline incorporates touches that will be very familiar to Austen fans. Immediately we know who will be Wickham and who will be Darcy. Later on when the mystery (having to do with the provenance of Pride and Prejudice) gets underway, strong shades of Northanger Abbey color the plot twists.

My favorite parts though had to do with Sophie and her Uncle Bertram's loving relationship, one founded on their mutual love of reading. Their conversations about books, for example the difference between what is considered valuable versus expensive, will strike a chord with bibliophiles.

Sometimes something so ubiquitous and familiar as Austen's novels become like wallpaper - they're just there and one forgets how lovely and insightful it actually is. First Impressions will remind readers why we love Austen so much:

"Sophie had never held a first edition of Pride and Prejudice, She had never had the opportunity to run her fingers over those spectacular words as they appeared in print for the very first time. Somehow seeing thme here in this volume from 1813 brought home to Sophie that Jane Austen had actually written these words. They had not simply appeared out of the ether. Sometimes, she thought, sentences like that become so famous that we cannot conceive a time when they did not exist. We can remember our own first encounters with those words, but that mankind should had had a first encounter with them seems almost impossible."

15 of 16 people found the following review helpful.
A rather bland Austen homage
By S. McGee
There's a certain kind of book that relies on its charm, or whimsy, or quirkiness to win itself readers and fans (think of The Unlikely Pilgrimage of Harold Fry: A Novel by Rachel Joyce) and another category that pulls in avid readers because it is all about books (Mr. Penumbra's 24-Hour Bookstore: A Novel being a case in point). When the two meet, you're left with either something that becomes a tremendous phenomenon, like Jasper Fforde's fantasy novels featuring Thursday Next, or something teetering dangerously close to "Love Story" level sentimentality that becomes the focus of a tremendous marketing push by publishers, like The Storied Life of A. J. Fikry: A Novel.

And then there is Charlie Lovett, whose novels I keep wanting to love, because his characters all live their lives surrounded by books -- correction, their lives are shaped by books. Peter, the hero of The Bookman's Tale: A Novel of Obsession, was an antiquarian bookseller; that's the career that young Sophie Collingwood, the main character of half of this book (the other half being focused on none other than Jane Austen). What's not to love?

Well, enough that I couldn't do more than whip a somewhat mildly entertained response to the novel. The chapters set in the past, revolving around an entirely fictional friendship between Austen and an octogenarian clergyman, Richard Mansfield (hint, hint?) are stilted in tone and not entirely plausible in content, either. Essentially, the characters felt like waxwork images moving through a historically-correct setting, dropping the appropriate references to remind us of Austen's biographical details. That makes them slow and unconvincing reading, although they're necessary to the more lively present-day plot, in which the ingenue Sophie must cope with tragedy, choose between rival suitors (which is Darcy and which is Wickham? The reader won't have much difficulty figuring it out...) and solve a mystery revolving around the first draft of Austen's iconic novel, "Pride and Prejudice".

The modern-day story at least has a certain charm and a modest element of suspense, but I think even die-hard Janeites can do better. For instance, I've enjoyed some of Stephanie Barron's mysteries featuring Jane Austen in the somewhat unlikely role of sleuth -- they really aren't any harder to swallow than some of the plot lines here, and I find the characters to be better developed and more convincing.

The Austen link, the appeal to bibliophiles and the charm/whimsy will, I am sure, win this book a lot of readers. It's just that underneath all those exterior qualifications, it's really just a mildly endearing but ultimately rather forgettable novel.

21 of 24 people found the following review helpful.
This didn't work for me on so many different levels.
By J. Lesley
I do count myself as an admirer of the works of Jane Austen, but that doesn't mean I can't accept variations or interpretations or extensions of her novels as long as they make common sense and are well done. So on the question of common sense, why did Sophie Collingwood's thoughts immediately turn to murder when a death occurred? Not one sniff of supposition, not one shred of evidence, never a question from anyone in authority, but Sophie immediately knew. Sophie is the main character from the modern day portion of the novel. I got plenty of eye-rolling exercise with this novel and, in case you are wondering, that isn't good. (A character named Mr. Boxhill? Really?) Sophie has a regrettable tendency to faint and act in ways that would make me automatically avoid her in real life. I also found it very hard to accept the premise that Austen needed the help of an eighty year old retired clergyman to whip one of her novels into shape, adapt another from an idea this character, Mr. Mansfield, had and prod her into the writing of a book he suggested the subject and title for, Northanger Abbey.

This novel alternates chapters between the present day and 1796 - 1817. It is not difficult to keep track of where you are in time because the manner of speech is naturally so different in the two time periods. The author uses the known history of Jane Austen to make her story in this novel fit in with the writing which will figure so large in the criminal activities taking place in the modern times related to those same writings. I'm sure researchers and writers are always looking for any lost Austen manuscript which will rock the literary world. In this case it was supposed to be a short story with disputed authorship which had never been found before. Except by one person, of course, who never revealed that it existed. Was Jane Austen a plagiarist? If so, does the world need to know?

I wish I could say I enjoyed the book, but I only read through to the end to see how the author would try to resolve all the problems of proving authorship of the story. Sophie was not a character who inspired sympathy or kind regard in me and having the author take the easy way out of challenging situations by having her steal books and literary material certainly did not help me enjoy the book. Jane Austen in love? Well, don't get your hopes up.

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